A heart-wrenching, powerfully written novel: a Kite Runner for Palestine 'One of the most thought-provoking books I've read ... written with passion and honesty, and poetry' Daily Mail 'The writer's pain - and the beauty of her prose - are very real' Telegraph Palestine, 1948. Half a million Palestinians are forced from their homes. A mother clutches her six-month-old son as Israeli soldiers march through the village of Ein Hod. In a split second, her son is snatched from her arms and the fate of the Abulheja family is changed forever. Forced into a refugee camp in Jenin and exiled from the ancient village that is their lifeblood, the family struggles to rebuild their world. Their stories unfold through the eyes of the youngest sibling, Amal, the daughter born in the camp who will eventually find herself alone in the United States; the eldest son who loses everything in the struggle for freedom; the stolen son who grows up as an Israeli, becoming an enemy soldier to his own brother. Mornings in Jenin is a devastating novel of love and loss, war and oppression, and heartbreak and hope, spanning five countries and four generations of one of the most intractable conflicts of our lifetime.

Nahr has been confined to the Cube: nine square metres of glossy grey cinderblock, devoid of time, its patterns of light and dark nothing to do with day and night. Journalists visit her, but get nowhere; because Nahr is not going to share her story with them.

The world outside calls Nahr a terrorist, and a whore; some might call her a revolutionary, or a hero. But the truth is, Nahr has always been many things, and had many names. She was a girl who learned, early and painfully, that when you are a second class citizen love is a kind of desperation; she learned, above all else, to survive. She was a girl who went to Palestine in the wrong shoes, and without looking for it found what she had always lacked in the basement of a battered beauty parlour: purpose, politics, friends. She found a dark-eyed man called Bilal, who taught her to resist; who tried to save her when it was already too late.

Nahr sits in the Cube, and tells her story to Bilal. Bilal, who isn't there; Bilal, who may not even be alive, but who is her only reason to get out.

From the author of the international bestseller Mornings in Jenin comes a powerful, passionate story of a family separated by conflict, and the tragedy they endure 'The story Susan Abulhawa tells in this marvellous novel is hard to bear but impossible to ignore ... precise, courageous, and dazzling' Teju Cole 'Gripping and deeply moving ... Suffering and resilience are difficult things to witness, but this powerful, politically engaged novel does so with a transformative literary grace.' Independent on Sunday It is 1947, and Beit Daras, a rural Palestinian village, is home to the Baraka family - oldest daughter Nazmiyeh, brother Mamdouh, beautiful, dreamy Mariam and their widowed mother. When Israeli forces descend, sending the village up in flames, the family must take the long road to Gaza, in a walk that will test them to their limits. Sixty years later, in America, Mamdouh's granddaughter Nur falls in love with a doctor. Following him to his work in Gaza, she meets Alwan, who will help Nur discover the ties of kinship that transcend distance - and even death. Told with raw humanity, The Blue Between Sky and Water is a lyrical, devastatingly beautiful story of a family's relocation, separation, survival and love.

A heart-wrenching, powerfully written novel that could do for Palestine what "The Kite Runner "did for Afghanistan.

Forcibly removed from the ancient village of Ein Hod by the newly formed state of Israel in 1948, the Abulhejas are moved into the Jenin refugee camp. There, exiled from his beloved olive groves, the family patriarch languishes of a broken heart, his eldest son fathers a family and falls victim to an Israeli bullet, and his grandchildren struggle against tragedy toward freedom, peace, and home. This is the Palestinian story, told as never before, through four generations of a single family.

The very precariousness of existence in the camps quickens life itself. Amal, the patriarch's bright granddaughter, feels this with certainty when she discovers the joys of young friendship and first love and especially when she loses her adored father, who read to her daily as a young girl in the quiet of the early dawn. Through Amal we get the stories of her twin brothers, one who is kidnapped by an Israeli soldier and raised Jewish; the other who sacrifices everything for the Palestinian cause. Amal's own dramatic story threads between the major Palestinian-Israeli clashes of three decades; it is one of love and loss, of childhood, marriage, and parenthood, and finally of the need to share her history with her daughter, to preserve the greatest love she has.

Previously published in a hardcover edition with a limited run under the title "The Scar of David," this powerful novel is now available in a fully revised, newly titled paperback edition. The deep and moving humanity of "Mornings in Jenin "forces us to take a fresh look at one of the defining political conflicts of our lifetimes.

"I wrote poetry before I wrote anything else," says Susan Abulhawa, esteemed Palestinian-American author and social activist, in the introduction to her first book of poems, "My Voice Sought the Wind." This new work follows her highly acclaimed novel, "Mornings in Jenin," which has been translated into 32 languages since it was published in 2010. "My Voice Sought the Wind" presents five years of Abulhawa's best poems on the timeless themes of love, loss, identity, and family, brought to life through her vivid observations and intimate personal reflections. She speaks from her own experience, with a style that is romantic, but tinged with disillusionment, often a bit sad and always introspective. The five sections of the book echo her personal journey, from the pain of separation from her homeland and her bitter, yet nostalgic memories of the past, through various phases of love and regret, through the experience of mortality, and finally to her reconciliation with the future and hope of new birth. "My Voice Sought the Wind" resonates with the works of Pablo Neruda and other icons of the world poetic canon, while heralding a powerful new voice that is distinctively lyrical, distinctively feminist, and distinctively Palestinian. The grapevine cover and interior motifs by the talented U.K.-based graphic designer Muiz complement the poetry by evoking the struggle, pain, promise, and hope experienced throughout the process of cultivating grapes-- or poems.